Thursday, 27 March 2014

Moolaade (2004) - Race and Nation




Moolaade is a film written and directed by Ousmane Sembene, the father of African Cinema in 2004 that deals with the female genital mutilation. This film also falls into the 3rd cinema. In an African village, 4-9 year old girls are ‘cut’, purified. The kids know that it is torture to go through which lead 2 girls to drown themselves in a well to run away from going through with it. We see four girls asking for “magical protection” from a woman named Colle who had refused to have her daughter purified 7 years before. 


Moolaade is shown by a coloured rope, which no one can cross to get the children. Colle’s husband returns as his relatives manage to persuade him to beat his wife for getting out of control in public. Just when Colle is about to faint, the merchant, Mercenaire decides to stop the beatings and is killed as a consequence.

Colle is the second husband of her three wives. Her daughter, Amasatou is engaged to an open minded, educated, rich young man who lives in France who returns back to the village bringing back his money, knowledge and technology such as the TV. However, Amasatou has not been gone through female circumcision, which is needed for marriage in the tradition. 

The radios, from the men’s point of view, is bad influence for them which is thought to be helping them to stand up for themselves. The women in the village take the blades from the genital cutters and Ibrahima announces that he is going to marry Amasatou as he stands up to his father. The end of the film shows the burning radios and the aerial, which replaced the ostrich egg on top of the house.


Issues of race and nation in Moolaade are shown on many occasions. In a village in Africa, we see women working and a market, which the Mercenaire owns. Four girls escape from their parents before getting purified and ask for the protection of Colle and the 2 other elders. We see Colle getting beaten by her husband with a whip in front of an audience who do not interfere except for Mercenaire. He dies as a result for standing up for what was right. 

The men in the village did not want the women to be able to stand up for themselves, so they decided to burn the radios. There is male violence and control towards the females. Watching a film with a different ethnic background makes it more interesting and engaging. A man having 2 or 3 wives in this ethnic background is normal as well as seeing children running around naked and families living their normal lives. We see different representations with the radio, Ibrahima and Mercenaire.


Thursday, 20 March 2014

Scum (1979) - Censorship



Scum is a British Crime Drama directed by Alan Clarke in 1979. It stars; Ray Winstone, Mick Ford, Julian Firth, John Blundell, Phil Daniels, Alan Igbon, Ray Burdis and many more. It portrays the brutality of the life inside of a British borstal. The script was originally written for the BBC in 1977, but due to the violence involved, it was removed from broadcast. The remake of this program was remade in 1979 as a film, which was shown on Channel 4 in 1983. The story of the film is about a young offender, Carlin when he arrives at the institution as he rises through violence and self-protection. The convicts and the warders are brutalized by the system. The film consists of its graphic depiction of racism, rape, suicide, extreme violence, strong language as well as many fights, which break out.


This film is different to the productions BBC originally in many ways such as the strong language. One scene in particular, which has been put into the BBC version, has been taken out of the film version, which was made. The scene of the homosexual relationship between Carlin and another inmate was not put in the film.




There have been many places during the film and the TV drama on BBC where censors had to be put in place for the safety of the viewers. There are many times where the bbfc and ofcom had to step in to protect the viewers from extreme violence. Racist comments towards black people, bullying, informal and foul language as well as fights and beatings they receive have to be censored for the publics’ protection. 



Ofcom is a government organization, which was set up in 2003 and is designed to protect television viewers from harmful or offensive material, which is why the watershed has been put in place. With the film version of Scum, the British Board of Film Classifications (BBFC), a non-government organization, which is funded by the film industry, are responsible of the classification and the censorship of the film(s) within the UK.



The War Game (1965) - Censorship



The War Game is a black and white BBC television documentary style drama directed and written by Peter Watkins in 1965, starring; Michael Aspel and Peter Graham. It shows the effects that the nuclear war had on Britain. The War Game was removed from television broadcast because it had caused concern with the BBC and the government. “The effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting” – The Corporation. This film was not shown on full British television until 1985. The War Game also won an Academy Award for the Best Documentary Feature.

The War Game is a fictional film made about a docu-drama about the nuclear war and the effect of it all. This film shows realism of the world with a low budget. During the film, we see a nuclear war, which erupts between the West and the East as the missiles strike Britain.



The War Game is a black and white documentary set in London and that won the Oscar for the first documentary, which has been banned for 20 years. There are many reasons why the film had been banned; one of the reasons is the brutally graphic scenes. 


We hear voice over speech as well as a voiceover with information that connects with the images, which are shown. There are also single boxpox interviews with the public and their opinions. The film also includes interviews with the adults and children who have survived the nuclear war. Ofcom had to step in to protect the public from harmful material.


Friday, 14 March 2014

Gabbeh (1996) - Gender and Sexuality


Gabbeh is an Iranian film produced by Khalil Daroudchi, written and directed by Mohsen Makhmalbaf in 1996. The film Gabbeh gets its name from a Persian rug with pictures or patterns woven into it. It belongs to the New Iranian Cinema and the Iranian New Wave started in the 1990’s. The cast includes Abbas (Uncle), Shaghayeh Djodat (Gabbeh), Hossein Moharami (Old Man), Rogheih Moharami (Old Woman) and Parvaneh Ghalandari. Gabbeh has also been awarded 3 awards. The Best Director Award at the Catalonian International Film Festival, the Silver Screen Award at the Singapore International Film Festival and lastly, the Best Artistic Contribution Award at the Tokyo International Film Festival.


Gabbeh starts with an elderly couple bickering with each other as they carry on with their day routine of cleaning their Gabbeh (designed rug). They get to the lake to wash the rug, as a young woman appears magically and helps them both with cleaning it. She belongs to a clan whose history is depicted in the design of a Gabbeh. She believes that a mystery guy on a white horse will come to get her.

Gender and sexuality in Gabbeh has been told in a multi layered way with its realistic and magical scenes and is also one of the first films the west saw. We hear the constant animal and water noises as well as wind, fire and rain noises. Throughout the film, women are shown a lot while doing their daily jobs. 

Different languages have also been used, such as Hindi, Persian and Turkish. As we hear Gabbeh’s story unravel, we hear the dreams she has and the obstacles in her way. Gabbeh’s father has bad temper issues because of her ugliness. 





Thursday, 6 March 2014

The Thick of It (2005) - Authourship



The Thick of It is a British Comedy television series on BBC, which is written by Jesse Armstrong, Sam Bait, Ian Martin and Armando Iannucci who has also directed the program made in 2005 to 2012. It stars Peter Capaldi, Chris Langham and many more. This program satirizes the inside workings of the modern British government. The script has been improvised rather than having it scripted which makes it more realistic to the actors and the audience. The program also includes strong language throughout.


Series one of The Thick of It was first broadcasted in 2005. In this series, Hugh Abbot is the new minister who follows the forced resignation of his predecessor Cliff Lawton. The episodes in this series follows his attempts to make a mark on the department with introducing some new policies following the party line which is enforced by Malcom Tucker. With many complications and mistakes in place, the minister comes close to being close to being fired on many occasions.



Episode one includes a lot of sarcasm from the characters, which also creates humour. The stupidity and the childlike acts of the characters may cause problems with the government in Britain in many ways. The shaky camera movements and the voice over the credits add many effects to the episode.