Moolaade is a film
written and directed by Ousmane Sembene, the father of African Cinema in 2004 that
deals with the female
genital mutilation. This film also falls into the 3rd
cinema. In an African village, 4-9 year old girls are ‘cut’, purified. The kids
know that it is torture to go through which lead 2 girls to drown themselves in
a well to run away from going through with it. We see four girls asking for
“magical protection” from a woman named Colle who had refused to have her
daughter purified 7 years before.
Moolaade is shown by a coloured rope, which no one can cross to get the children. Colle’s husband returns as his relatives manage to persuade him to beat his wife for getting out of control in public. Just when Colle is about to faint, the merchant, Mercenaire decides to stop the beatings and is killed as a consequence.
Moolaade is shown by a coloured rope, which no one can cross to get the children. Colle’s husband returns as his relatives manage to persuade him to beat his wife for getting out of control in public. Just when Colle is about to faint, the merchant, Mercenaire decides to stop the beatings and is killed as a consequence.
Colle is the second husband
of her three wives. Her daughter, Amasatou is engaged to an open minded,
educated, rich young man who lives in France who returns back to the village
bringing back his money, knowledge and technology such as the TV. However,
Amasatou has not been gone through female circumcision, which is needed for marriage
in the tradition.
The radios, from the men’s point of view, is bad influence for them which is thought to be helping them to stand up for themselves. The women in the village take the blades from the genital cutters and Ibrahima announces that he is going to marry Amasatou as he stands up to his father. The end of the film shows the burning radios and the aerial, which replaced the ostrich egg on top of the house.
The radios, from the men’s point of view, is bad influence for them which is thought to be helping them to stand up for themselves. The women in the village take the blades from the genital cutters and Ibrahima announces that he is going to marry Amasatou as he stands up to his father. The end of the film shows the burning radios and the aerial, which replaced the ostrich egg on top of the house.
Issues of race and nation in Moolaade
are shown on many occasions. In a village in Africa, we see women working and a
market, which the Mercenaire owns. Four girls escape from their parents before
getting purified and ask for the protection of Colle and the 2 other elders. We
see Colle getting beaten by her husband with a whip in front of an audience who do not interfere except
for Mercenaire. He dies as a result
for standing up for what was right.
The men in the village did not want the women to be able to stand up for themselves, so they decided to burn the radios. There is male violence and control towards the females. Watching a film with a different ethnic background makes it more interesting and engaging. A man having 2 or 3 wives in this ethnic background is normal as well as seeing children running around naked and families living their normal lives. We see different representations with the radio, Ibrahima and Mercenaire.
The men in the village did not want the women to be able to stand up for themselves, so they decided to burn the radios. There is male violence and control towards the females. Watching a film with a different ethnic background makes it more interesting and engaging. A man having 2 or 3 wives in this ethnic background is normal as well as seeing children running around naked and families living their normal lives. We see different representations with the radio, Ibrahima and Mercenaire.